I’m really pleased to say that the brilliant Jen Slater and I have teamed up to put together what we think will be a really exciting special issue of Review of Disability Studies: An International Journal. Please take a look at our Call For Papers below.
The Review of Disability Studies: An International Journal (RDS) seeks proposals for a special forum on the Crip, the fat, the ugly. We are currently soliciting papers of up to 7500 words in length, including references and tables. The deadline for submission of papers is June 1, 2017. Papers should be submitted to the Special Guest Editors Dr. Jen Slater, Sheffield Hallam University firstname.lastname@example.org, and Dr. Kirsty Liddiard, University of Sheffield email@example.com . Upon submission, please indicate that your paper is for consideration of the special forum on the Crip, the fat, and the ugly in an age of austerity.
Papers considered for inclusion may take the form of academic and creative works, as well as reflections on international disability-specific policies, practices, pedagogies and developments.
Submissions to this special issue will undergo a process of multiple editors peer-review. Authors will be notified of whether their papers will be included in the forum by September 1, 2017. Accepted authors will then be asked to submit their papers online to RDS. Prospective authors are encouraged to consult the RDS website at www.rds.hawaii.edu for more information about the Journal and its formatting guidelines. Authors are encouraged to review previous issues of RDS in preparing their paper and to subscribe to the Journal. All submissions must follow the RDS publication guidelines posted on the website. Please note that acceptance of an article does not guarantee publication in RDS.
‘The magnificence of a body that shakes, spills out, takes up space, needs help, moseys, slinks, limps, drools, rocks, curls over on itself. The magnificence of a body that doesn’t get to choose when to go to the bathroom, let alone which bathroom to use. A body that doesn’t get to choose what to wear in the morning, what hairstyle to sport, how they’re going to move or stand, or what time they’re going to bed. The magnificence of bodies that have been coded, not just undesirable and ugly, but un-human. The magnificence of bodies that are understanding gender in far more complex ways than I could explain in an hour. Moving beyond a politic of desirability to loving the ugly. Respecting Ugly for how it has shaped us and been exiled. Seeing its power and magic, seeing the reasons it has been feared. Seeing it for what it is: some of our greatest strength’.
Global austerity has a far reach, often into, around, behind, beyond and alongside the body. Global austerity routinely categorises bodies in terms of productivity, value, cost, ability and aesthetics. The body is positioned vis-a-vis global austerity as a site for social order, economic possibility, progression, and big business. Whereas “[a]n able body is the body of a citizen; deformed deafened, amputated, obese, female, perverse, crippled, maimed and blinded bodies do not make up the body politic” (Davis, 1995, pp. 71-72).
Through global austerity, then, the crip, the fat and the ugly are typically Othered and denigrated bodies, identities, minds and selves, implicated and co-constituted by one-another (Bergman, 2009; Kafer, 2013). Within a context of coloniality, transnational capitalism, patriarchy, cissexism and white supremacy, the Crip, the fat and the ugly are rendered unintelligible (Butler, 1999), made in/visible and vilified locally, nationally, and globally. As Garland-Thompson (2002, p. 57) reminds us, “as a culture we are at once obsessed with and intensely conflicted about the disabled body. We fear, deify, disavow, avoid, abstract, revere, conceal, and reconstruct disability – perhaps because it is one of the most universal, fundamental of human experiences”.
Notwithstanding the harsh political backdrop, Clare (2015, p. 107) reminds us that “[w]ithout pride, individual and collective resistance to oppression becomes nearly impossible”. In this special issue we therefore seek to explore affirmatory meanings and pleasurable engagements with the Crip, the fat and the ugly. By this we mean to critically resist and play with normative understandings of what bodies should do and be, to reimagine that – as Mingus (2011) emphasises – the Crip, the fat and the ugly are ‘our greatest strength’. How are Crip, fat and ugly embodiments both resisting and resistant? How might they offer new ways of interrogating global austerity and neoliberal ways of life? How might the Crip, the fat, and the ugly generate new, diverse and polymorphous pleasures? What are the relationships, entanglements and connections between the austere and the aesthetic? What communities do the Crip, the fat, and the ugly build and how are these critical for survival, love and life?
Submissions to this journal could include, but are not limited to, critical interrogations of the relationship between the crip, the fat and the ugly, with:
● Aesthetic labour
● Activism and resistance
● Beauty industries and economies
● Biopolitics and biopedagogies
● Bodily esteem, confidence, self-worth and self-love
● Colonisation and first nations communities
● Emotion and affect
● Extensions of Mia Mingus’ work on ugliness
● Globalisation and globality
● Health and healthisisation
● Identity, imagery and representation: masculinities, femininities, queer trans and intersex identities
● Impairment and embodiment
● Industrial complexes, institutions and systems
● Madness and Mad politics
● Other forms of privilege and oppression (class, ‘race’, gender, sexuality, age etc.)
● Popular culture and The Arts
● Queer bodies, identities and selves
● The politics of staring (Garland-Thomson, 2009)
● The sexual body: Pleasure, sensuality and desire
RDS is a peer-reviewed, multidisciplinary, international journal published by the Center on Disability Studies at the University of Hawai‘i at Manoa.The Journal contains research articles, essays, creative works and multimedia relating to the culture of disability and people with disabilities.